Art show winners - Ellwood City Ledger: Local News
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~ WALKING BY INNER VISION ~ Lynda McKinney Lambert is a Pennsylvania Artist, Author, and Educator - She writes articles on writing and art from her own unique perspective. She is the former Professor of Fine Arts and Humanities at Geneva College, Beaver Falls, Pennsylvania.
Showing posts with label Artist. Show all posts
Showing posts with label Artist. Show all posts
Friday, June 28, 2013
Thursday, March 21, 2013
John Bramblitt's Journey
I had
A VISION
In 2009, I started writing my
blog,
“Walking by Inner Vision”
It was to begin to write about my own journey into the new experience I
had entered. This new experience came 2 years earlier, in October 2007; I was
suddenly thrust into the world of sudden blindness.
(Ischemic Optic Neuropathy)
This event changed nearly everything in my life.
Writing about it became a way for me
to speak about my life
now that it had entirely changed.
I am an Educator, Visual Artist and Author,
I discuss how I have learned to continue
to be a creative artist and writer once again.
Today, I want to focus on another artist who lost his
sight, yet, began to paint after going blind. I think you will enjoy hearing
about:
John Bramblitt’s journey!
You can click on the THREE LINKS to see
video’s of John Bramlitt and his visionary paintings. You can listen to John as
he tells his own story to overcome blindness through ART.
John Bramblitt is a Texas artist who is blind. He lost
his sight around age 11. He began painting after he lost his sight.
This video was done when he was still an undergraduate student.
John says he loves creating both fine art and writing. It’s not unusual for find an artist who also
loves to write.
I think it is often a winning
combination that most artists embrace. As
John said,
“It is only the tools that are different.
The process remains the same.”
He says when you look at a “how
to” book on both painting, and writing, you’ll see the process is the same for
each. I affirm this truth that John has discovered in his journey.
John is shown in this video doing a workshop and
speaking with a visitor. We can see him showing how his work begins. He is
describing how it begins with an initial drawing on the canvas. The drawing is
raised, giving him guidelines to follow when the painting process begins.
This
link will take you to John’s website.
There you will find general information on John Bramblitt. There are
links on his career, photos of some of his
paintings, his blog link, and more.
Tuesday, January 1, 2013
Morning Hour
Happy New Year
January 1, 2013
May you FIND just the RIGHT
WORDS and IMAGES
for this new year.
Morning Hour
In the early morning hour
a nippy breeze
wrapped around my bare feet
like soft gray cashmere clouds.
My own reflection
slowly materialized-
I was exposed, naked,
on a clear icy glass
surface.
Outside the frozen
windowpane,
an icicle boundary
surrounded my view
of the aging Douglas Fir.
I turned for a closer
look
through the silent
porthole
Quick movements
in the shadow
revealed
one tiny ruffled bird,
a solo performer
hunkered down, deep,
on snow-clogged branches.
Inside this room,
a blizzard-
a scattering of words still
lingered-
Waited to be gathered,
In a winter bouquet-written
on a page,
in spite of the bitter cold.
We have been here
for a thousand years
In the early morning hour.
Copyright 2013. Lynda McKinney Lambert. All rights reserved.
Poem and Photographs by Lynda McKinney Lambert, 2013.
Poem and Photographs by Lynda McKinney Lambert, 2013.
Saturday, September 15, 2012
The Story Behind the Art
Girl on a Bench Sees Visions of Butterflies
It’s a warm day near the end of August. A little dark haired girl sits alone on a wooden bench looking straight ahead. She peers silently out over her world, and into the future, where we stand watching her today.
Her starched and pressed cotton dress is plaid, with a wide white
collar that lays over her shoulders. She
patiently waits there in her back yard
for her cousins to arrive. They are
coming to celebrate her birthday. It is 1950.
We walk towards her and as we get near,
she watches us carefully as she continues to smile. Just above her head, we notice that she is
sitting under the old deeply textured branches of the Black Walnut tree. It is
the centerpiece of the back yard.
Besides the tree, the little girl sits
surrounded by fields of late summer flowers in full bloom. Queen Ann Lace and
gentle butterflies are mingling and floating casually among
the lacey blossoms. The scene is still, frozen in a moment of time by a Brownie
Box Camera. The photographer this day is her Mother.
This vintage photo of the little girl is in very
pale black and white. It had been
laminated long ago to the back of a small round pocket mirror. Her Mother had
carried the mirror in her handbag. In her old age, the Mother had given the
mirror to the little girl who was now a grandmother. The mirror had cracked in
half at some time in the past, but the beautiful photograph was in perfect
condition. This photograph was chosen to be the central image of the art work
that would become _Girl on a Bench Sees Visions of Butterflies_ here on the
wall of the gallery.
It’s quite a small work of art. It is a
personal and private scene. The work measures
approximately 12 inches, square.
The images on this art work have been hand
worked, over top of a cotton fabric from the 1940s. The vintage fabric is in Black and White, but much sharper and bolder than the photo of the little girl. Sharp, crisp white flowers and
butterflies dance about on the surface of the ebony black fabric background.
There is a surprise burst of brilliant
color on the black and white scene though.
Over the entire surface, brilliant hot red leaves and flowers are
overlaid. And, bursting forth from those
slender and delicate stems, are brilliant red red roses that have been carved
out of red coral gem stones. Bouquets of these red coral roses are waiting to
be gathered, it seems. Yet, they will forever bloom there, regardless of the
passing seasons in this world that is suspended forever outside of time itself.
The joyful old fashioned roses circle around, intertwining with
the photo of the girl on the bench. And,
the circle of the mirror has been
surrounded by layers of delicate and glistening Japanese seed beads. They have been patiently
worked, layer upon layer, by the artist who was once the little girl in the
photo. The glass beads are so small and
they capture the light from all directions. This makes the little girl in the
photo seem to shimmer in her round space in the center of the picture, and
gives it an unreal appearance. It is seems like we have entered into a dream world or a vision.
Throughout the picture on the gallery
wall, is a myriad of other flower shapes made from Mother-of-Pearl, and natural
gemstones. In this small space we can see visions of earth and sky as we enter
into the moment of time when the little girl sat patiently waiting for her
birthday party to begin.
I created the art work
Girl on a Bench Sees Visions of
Butterflies
from a piece of 1940s
printed fabric. I chose a vintage reproduction print fabric for this work
because that is when I would have been a young girl. I was born in 1943. This nostalgic fabric became the structure on which
I began creating a story of a childhood
memory - a moment in time that brings the viewer into the world I lived in
as a child. It’s a snapshot of a long ago summer day - flowers,
butterflies.
After meticulously working the entire surface of this
fabric with gemstones and beads, I began to work a beaded serpentine spiral around the border of the
square. The spiral travels around all four sides of the art work. It has been surrounded by layers
of red, white, and black beads that go in and out on the front and back of the
surface. The edge work holds the front
of the work to the back fabric. The back fabric is also a 1940s print, in
brilliant lipstick red. On the red
surface there are bursts of white
flowers that look like shooting stars coming from the black center of each
flower.
Once this piece was finished I had to
think about how it would be presented on a gallery wall. How would it hang? I took a walk in the woods and found just the
perfect size of twig and the idea came to me that the piece would hang from a
twig, suspended in space. To finish the piece, I made some loops from the same
Japanese seed beads that I had used in the picture – and these loops hold the
fabric piece to the branch that hangs above it.
Once
the beaded and layered fabric was attached to the twig
Girl on the Bench Sees Visions of
Butterflies
was now complete.
This fiber work has been selected to appear in the Hoyt Mid Atlantic Exhibition. It will open to the public on October 9th and be on display there until November 2, 2012.
Hoyt Art Center, 124 E. Leasure Avenue, New Castle, PA, 16101
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